Last week I received the shown cd, "The Best of Ernesto Nazareth", just released by ChoroMusic.com, a sample-cd promoting the project of spreading knowledge about choro music by publishing written scores and enclosed recorded music to be used by musicians interested in getting started with playing choro. I have mentioned the project by ChoroMusic.com earlier, an excellent effort encouraging serious musicians to get involved with choro taking advantage of the written music and the play-along cds accompanying the sheet. If you are a musician interested in choro, this is a fairly good way to engage into choro by using the music-minus-one (- you're the soloist) method, I recommend a visit at the website of ChoroMusic.com to learn more about the project and music already published, click logo below
The shown cd should be available from ChoroMusic.com shortly, I had my copy sent from their division in São Paulo, Brazil (- thanks a lot to Isabella Leite for manufacturing my request and to Daniel Dalarossa, president of ChoroMusic.com, for directing me a free copy) - the cd is being released both in Brazil and the USA at the same time. Even though you are not a musician, this cd is worth your money, the music and arrangement of 16 compositions by Ernesto Nazareth, Rei do Choro are just excellent and well performed by a team of skilled musicians. Among featured soloists are Daniela Spielmann (soprano & tenor sax), Izaís do Bandolim & Milton Mori (bandolim), Nailor Proveta & Luca Raele (clarinet), Daniel Allain, Daniel Dalarossa & Toninho Carrasqueira (flute). The soloists are accompanied by a regional featuring Arnaldinho do Cavaco (cavaquinho), Edmilson Capelupi (violão de 7 cordas), Lula Gama (violão) and Betinho Sodré (pandeiro). The recorded compositions by Nazareth include famous pieces like 'Ameno Resedá', 'Apanhei-te Cavaquinho', 'Brejeiro', 'Odeon', 'Escorregando' and 'Batuque' - all composed for the piano, but here arranged for choro ensemble from the original scores. Moreover, two unpublished compositions by Nazareth, 'Zizinha' (1889) and 'Ideal' (1905) are also included - both very well arranged and performed like the rest. ---
To end this, I insert a couple of videos celebrating some of Nazareth's most popular pieces - here is a solo guitar version of 'Odeon'
Finally, here is Marco de Pinno Quarteto from a live-performance playing 'Apanhei-te cavaquinho'
Jo